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Film details rise and fall of Black Panthers

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Bringing history to life: film-maker Stanley Nelson says he wanted to offer a unique and engaging opportunity to examine a complex moment in time that challenges the simplified narrative of a Panther who is prone to violence (Photograph courtesy of Sam Aleshinloye)

The Black Panthers: Vanguard of the Revolution’ is directed, produced and written by Emmy Award-winning documentarian Stanley Nelson. The film had its world premiere at this year’s Sundance Film Festival. Here, Mr Nelson — awarded the National Humanities Medal by American President Barack Obama — reveals his hopes for the film.

Seven years ago, I set out to tell the story of the rise and fall of the Black Panther Party, a little known history that had not been told in its entirety.

In particular, I wanted to offer a unique and engaging opportunity to examine a very complex moment in time that challenges the cold, oversimplified narrative of a Panther who is prone to violence and consumed with anger.

Thoroughly examining the history of the Black Panther Party allowed me to sift through the fragmented perceptions and find the core driver of the movement: the Black Panther Party emerged out of a love for their people and a devotion to empowering them.

This powerful display of the human spirit, rooted in heart, is what compelled me to communicate this story accurately.

It is essential to me as a filmmaker to try to give the viewer a sense of what it has meant to be black in America and consider this within our contemporary context.

The legacy of the Black Panther Party had a lasting impact on the way that black people think and see ourselves, and it is important that we look at and understand that.

I knew that archival footage would be just as important as interviews when telling this story. The Black Panther history cannot be encapsulated in sound bites and stills; the movement continues to live and breathe in the hearts and minds of those who endured.

I had to dig deeper for footage that captured an authentic portrayal of the party and which was not distorted by mainstream media.

What I found was a treasure of personal records from former members and allies across the globe. These rarely seen images became an important character in the film, telling the story of how the Black Panther Party impacted all communities.

There is something incredibly powerful in seeing an array of faces — white, Asian, Latino, black, and native — together at a Black Panther Party rally calling for the reform of corrupt and unjust state institutions.

Nearly half a century later, we find our voices in a renewed chorus for justice and equality.

We continue to witness a state apparatus that perpetuates a culture of fear and aggression with frequent and unwarranted displays of racial violence and oppression.

As we consider the similarities between the injustices of yesterday and the tragedies of today, it is important to understand that the Panthers were energised largely by young people — 25 and under — who started as small groups of actively engaged individuals that collectively became an international human rights phenomenon.

My hope is the film reveals itself to be more than just thought-provoking observations of our past.

The parallels between pivotal moments within the movement and events occurring in our communities today are undeniable.

To better understand the Black Panther Party is to be able to better reflect on our own racial climate and collective responsibility to ensure basic rights are fulfilled, not diminished, and that voices of justice and dissent are celebrated, not silenced.

• ‘The Black Panthers: Vanguard of the Revolution’ screens on Sunday at 3pm at BUEI. Reserve tickets on 294-0204 or at Oceans gift shop

Sign of the times: a group of children walk to school past Black Panther graffiti (Photograph courtesy of Stephen Shames)
Community projects: Charles Bursey hands a plate of food to a child as part of the Black Panther Party's free breakfast programme, which is detailed in the film (Photograph courtesy of Pirkle Jones and Ruth-Marion Baruch)