Laughs could get lost in the animate flock
McSquizzy is one of the many colourful figures Lawrence’s character, Boog, meets as he tries to get back home. (Think of Open Season <$>as The Odyssey, with fur.) After a lifetime of functioning as the popular star attraction in the mountain town of Timberline, Boog gets shipped to the woods when he’s wrongly accused of mauling a deer (the scrawny, one-antlered Elliot, voiced by Kutcher).
He longs to return to the home he shares with dorky forest ranger Beth (Messing), where he sleeps in a comfy dog bed and eats and drinks from bowls — but swears he’s not a pet. Elliot, who got him into this mess in the first place, would like nothing more than to live such a luxurious life, and invites himself along for the journey. (The hyperactive, fast-talking Elliot is Donkey to Boog’s Shrek.) Both members of this odd couple have the added incentive of finding a safe place to stay because open season is just a few days away, making them vulnerable to the impending influx of shotgun-toting hunters. But naturally, Boog learns to survive and even thrive amid his fellow creatures, whether he likes it or not. They include the elegant doe Giselle (Jane Krakowski) and her boyfriend, Ian (the ever reliable Patrick Warburton), the arrogant king of the herd; bossy beaver Reilly (Jon Favreau), who’s supervising construction of a dam; and assorted adorable bunnies, ducks and even a porcupine. This all probably sounds like pretty standard family fare. But Open Season, directed by Roger Allers, Jill Culton and Anthony Stacchi, has a distinctive aesthetic beauty.
