Cult classic conveys poignant message
"How wonderful it is that nobody need wait a single moment before starting to improve the world." ¿ Anne Frank
With the opening of 'The Man Who Planted Trees' at Daylesford Theatre this evening, the Bermuda Festival presents its penultimate attraction of the 2008 season. It also marks the debut of quartet responsible for staging the thought-provoking show.
Puppeteers Richard Medrington and Rick Conte of Puppet State Theatre Company have adapted John Giono's eponymous, environmental cult classic into a stage show which conveys a poignant message even more relevant today than when it first appeared in 1954 during a critical time in the history of planet Earth.
More than a story about forestry, it is a wonderful parable of life ¿ the tale of a human being who saw a need and decided not to ignore it, but to put things right. He received no payment or recognition, yet his life of dedication brought him great happiness and health.
The show begins with a witty interplay between the two puppeteers, the audience and the delightful puppet character, 'Dog', whose comic presence keeps the show from becoming mired in the profundity of its central theme. 'Dog' is the creation of Mr. Conte, and provides much of the often hilarious dialogue. Amazingly, though the show features the life of an altruistic shepherd, the central hero never speaks.
Instead, Mr. Medrington provides the general narrative, modulating his tone according to circumstance and setting. His draws in the audience and carries them through poverty-stricken villages, the trenches of war, onto the podium of government bureaucrats, and ultimately to an understanding of our fragile relationship with nature as seen through the actions of Elzéard, the shepherd.
The show broaches a difficult subject and handles it with great care, humour and sensitivity, respectful of the urgency of its message, yet never descending into the maudlin. It provides both a sentimental tale and a challenging, heartfelt appeal to charge our approach to sustainable development. Director Ailie Cohen designed and built the set, and her detailed, miniature set pieces bring Elzéard's world to vivid life. Lighting and sound are by Elspeth Murray.
¦ For tickets/further information see website www.bermudafestival.com or visit the Festival box office adjacent to the ferry terminal on Front Street between 12 noon and 2 p.m. (tel. 296-5774). For performance times see the Bermuda Calendar.